Mark Whalen is one of my favourite artists at the momento, I just can’t seem to get enough of him. Formerly known only as his alias Kill Pixie, he was one of Sydney’s most influencial anonymous street artist until he came out (of the graffiti closet) a few years back.

I found this old interview with Whalen while doing some blog trawling earlier this week on Time Out. Have a little geeze wont you?
What was your childhood like? I grew up out west in Bankstown. It was different out there than living in the city. I got into skateboarding at a really young age. I wanted to be a professional skateboarder.
Most people would think that only rebellious kids would get into graffiti. Were you at all rebellious? I guess so. I definitely wasn’t staying home playing the piano and doing my homework. A lot of kids that were skating got into graffiti. I didn’t do anything at school really. I tried for a while but interests in drawing, skating and graffiti took over really fast and that’s what I focused on.
What influenced you? My first big influence was a trip to Barcelona about seven years ago. The whole city was annihilated with graffiti and so many styles. I was really into it and it all started from there.

Some people refer to you as the Sydney Banksy. What do you make of that title? In terms of the fact that we both made a career in the arts out of a graffiti background, sure. However, we both have very different aesthetics and in really different places of our career.
Do you like the comparison? It doesn’t really bother me at all. You could compare a bunch of Australian artists to a similar Banksy success story if you really wanted to: Anthony Lister, Dmote, Rhys Lee to name a few.
Banksy has never officially revealed his true identity. Do you think that has made his name more mythical and his work more valuable as a result? I think it has an appealing element to it and I can see why it attracts so many people. Everyone loves the bad boy right? Everyone is different and everyone has their own approach, execution and method of practice. Of course it’s made the work mythical but if you want to compare, look at Blek le Rat, he’s just as successful and everyone knows who he is. Continue reading →